I
paint mostly because I am passionate
about color. I paint because my imagination
dogs me before I open my eyes,
when I wake up, and then again
just before I fall asleep. I paint compulsively and intuitively.
I feel blessed to have such a gift. If there is any talent involved,
it is the
marriage of practice and training.
As
a Hispanic women I feel inclined to use lots of gold. Like a crow
I admire small
bits of
sparkle and
use them whenever the occasion allows.
As part Mexican
and living in Mexico, I feel like I came home to my other family with
the capricious use of symbolism and allegories. In the 20x20 allegorical
series Spiritual Gifts
I use both the sparkle and the symbolism to create some unknown story.
I use empty bowls lined with gold to represent the vessel that
we are
as human bodies.
I use fish often to represent faith. I use eggs and nests because I
always remember what a wise friend told me once when I was depressed:
remember
there are always
pleasant surprises. I often use jewelry to blatantly represent “Spiritual
Gifts.” I use birds, mostly crows to express my relationship
with Spirit. In the Native American culture the crow symbolizes law.
We are
supposed to consider
our actions if they are aligned with order and righteousness whenever
we see a crow. Fortunately, this was not contrived; I only figured
this out
years after
painting them. I still have no idea why I often paint Asian women.
As
part Navajo Indian, I am attracted to the organic shapes I use
in my abstract paintings. My current series
is called Crusando las Fronteras,
or crossing the
frontiers. I am exploring the symbol of the cross, with its many
implications and moods. I am living across the border from my homeland
and exploring
a new creative lifestyle with a vengeance. I am painting the images
that come into
my head without my usual scrupulous cautions, simply responding to
the unlimited images that show up in my imagination.
As
a painter I am convinced I am part of some unspoken media. Like
a journalist
I report my impressions of the current events. My job
is to show up at the easel
and narrate through my images what I am observing.